“Emilia uses the graphite pencil, but also the brush with ink or paint, to achieve the effects of rupture and explosion of the human figures.”
– Alberto Hijar
“She uses the line as well as the mass, the subtle shading as contrast, the sketched drawing as the precision of details, to achieve movements that do not always start from the forced postures of the model.”
– Alberto Hijar
“Emilia has developed a series of exercises to decompose the original object, fragmenting the form, blurring the lines, creating a dynamic sensation and an illusion of the expansion of bodies in space.”
– Edward Cohen
